When I started this piece, I actually wrote another short story based on an Aztec myth of a princess falling for a warrior who was then sent to war, by her father, to distance them. I set this in the ‘modern day’, with an English princess falling for her bodyguard. However, this piece felt as if it was lacking something and I wasn’t happy with it.
Whilst I was trying to piece it together – to make it work – my husband’s virus scanner on his computer threw up an attempt from a Trojan horse. This incident got me thinking of the legend of Troy and the warriors that fought there, the legend of the horse, and, of course, of Helen. Funnily, it wasn’t Helen or the battle that interested me; it was the horse. I sat staring at an ornament on my windowsill, which – although an elephant – gave me a model to work with. I began to think about the men who were inside it during the time it took the people of Troy to agree to bring it into the city. All those hours spent staying still, no food, no water; then, crucially, having to continue to remain still once inside the Troy city.
I tried to imagine what they thought about; was it home? A woman? The forthcoming fight? I began to think that perhaps their thoughts were scattered with all of these images and of what they were going through at that exact moment, of how crucial it was for them to remain still and silent whilst the city of Troy continued about them. These ideas then began to excite my imagination and my original princess piece was left and ‘In the Belly of the Enemy’ began.
The title came to me based on the original idea – what was it like in the belly of the horse? I then thought further about where the horse was, right in the middle of the Trojan city – the Belly of the Enemy then felt a better fitting for it.
During writing, I did become a little frustrated and felt a little stifled at not being able to expand on where my protagonist was. I myself started to feel trapped and I feel that this does show in my writing; where my sentences become shorter and punchier.
At first I wrote the piece using language that is quite acceptable today, conjoining words, such as ‘I am’ and ‘do not’ etc, but as I read through it, it felt wrong somehow. As I was reading my work, my husband was watching the film ‘Gladiator’ and I noted how Russell Crowe spoke. He didn’t seem to shorten his words, he took pride in his language and I began to think about the position that my character could hold.
I also questioned his personal history; was he educated, old or young, rich or poor, married or single? I realised that I needed to create a little back-story, even if only in my mind, as to who this person was.
As I thought further regarding the war, I realised that this battle lasted for ten years, that many of the men – if they had managed to survive the fights – would have spent most of their young life there (from possible recruitment). This made me think about what my soldier could have missed; what did he dream about? What had he originally planned on for his future? Where would he have been had this war not happened?
I found that I had more information and back-story for this character than I had room for in the final piece! Trying to fit most of these things into such a short space (only a maximum of 1,500 words!) proved to be a difficult task, but I feel quite satisfied with the end product.
